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Mike Knittel's avatar

I could restack all of these but my inner Jude won't allow it. He says your head will get too big.

Watching this series evolve has been a damn fun ride. In the last few days I've binged a bunch and caught up, and while this last one is truly excellent I think it's the one just before it (3rd person omniscient) that is the best in the series so far. I'm always in awe of men that can write women so accurately and women that can write men so accurately. For someone that can't get out of his own head, this is akin to a marvelous magic trick to me.

I don't know if you planned it, but by beginning with very skeletal pieces and then getting more elaborate as the thing evolved, it's created this tidal wave effect, this quickening of pace, this expectation of climax (if you will) that makes the reader want to devour more faster and faster. You desperately want to see how it all plays out ultimately but you don't want it to end. That's the sweet spot for the writer and reader.

Every manipulative trick in the book that either I've deployed or has been deployed against me has been remorselessly described in these stories. It's pretty close to home, and makes me squirm a little at times. Some of these tricks I've done unconsciously, and I find it fascinating that you've been able to mine all these subtle and not so subtle gestures and mind games and use them so skillfully in the narrative.

No one is spared, and no one is a hero. It's all very human and messy and diabolical, which is why it's so addicting.

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Sydney Taylor's avatar

I will never get over how beautifully you describe even the mundanest of things. Painting a full picture with the slightest mentions of detail and your uniquely superb descriptions. Another fantastic chapter, Klar! On to the next!

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